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  1. #1
    adrianr is offline Junior Member
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    Default Displaying overprinting opaque inks in Illustrator / PDF

    I am trying to create a pdf with showing an opaque gold ink separation (which is overprinting a dark brown background) in Illustrator CS4.

    Is there an alternative to Esko's ink manager where you can define inks as opaque so they display as opaque. I want to display my traps on the pdf with overprint preview turned on but I need to see my gold as a bright gold not an overprinting dark gold, I hope this makes sense.

    My work-around is to turn the gold overprint off to create the PDF however this is not ideal if left turned off.

    Acrobats Ink manager allows me to define my inks and print sequence but this does not change the screen view.

    Any thoughts would be great thanks.

    Adrian

  2. #2
    spider is offline Member
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    Printing gold that can be a nightmare, but the best results I've found in the past.
    Was to print yellow underneath.
    Something like, when you try to do a black solid, you always print with a blue screen underneath the black

  3. #3
    adrianr is offline Junior Member
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    I can't run any colour under the gold, as the customer checks the pdf for separations.
    Attached Images Attached Images

  4. #4
    spider is offline Member
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    oh.... In that case, the only one option you've got.
    Is to reverse it out of the brown and drop the gold in ?
    You've done it with a blue

  5. #5
    frailer is offline Member
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    If you have PitStop Pro, you can Export a base PDF without the Gold; then Export another PDF of the Gold-only. Knock back the opacity of the Gold using Inspector Panel, then Place the Gold PDF in the Base PDF, using that functionality in Pitstop. Your "translucent" Gold will show you placement and Trap.
    Just a thought, but only with PitStop. Only for proofing purposes, obviously.

  6. #6
    pcmodem is offline Senior Member
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    Is the gold going to be printed at the same time as the other colors? If so, you are going to have the brown from behind mix with the gold. If you are going to print the other colors first, let it dry and then come back and print the gold you should be fine. If the gold is actually a Foil, then this would be best.

    Why not just have the gold knockout the brown and trap the two colors?

  7. #7
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    leonardr is offline Senior Member
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    Quote Originally Posted by adrianr View Post
    I am trying to create a pdf with showing an opaque gold ink separation (which is overprinting a dark brown background) in Illustrator CS4.
    Good luck!

    The Adobe imaging model - as used by our authoring products and also exposed in the PDF file format - does not support metallic inks nor does it support ink solidity/opacity. This is a known problem/issue especially in the packaging industry where such inks are used commonly.

    I am working with the ICC, the ISO and others to come up with a solution for the future...in fact, we just met this past week and believe we have a working proposal to take to the various standards bodies. If all goes well, we hope to have a standard in place by 2012 after which products supporting it should begin to appear.


    Leonard Rosenthol
    Adobe Systems

  8. #8
    Lukas Engqvist's Avatar
    Lukas Engqvist is offline Senior Member
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    Sounds great!

  9. #9
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    rich apollo is offline Senior Member
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    Is there a reason why you couldn't simply set the gold to knockout? It would print and display correctly.

  10. #10
    spider is offline Member
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    why can you do this to the Blue ?.......but you can not do this to the gold ?
    what's the reason you knockout the blue from the brown


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