Some additional info about those images...
CMY ink reduction is 18.67%
Black ink increase is 9.34%
best, gordo
Strange how all threads about colormanagement nowadays ends up with everyone talking about ink-save products (sorry @threadstarter)
Thanks Gordo for adding additional data to my sample. The results vary alot depending of what in- and output profiles you set up and what artwork you process. But the #1 reason that we are using this kind of software is not to save ink-costs but to reach the quality and consistency in print that we are aiming for. Because of the use of more black we get faster start-ups and more stable grey balance and less smearing of course.
It would be interesting if someone who got an other ink-save sulution can do the same test with the same image! GMG, CGS, Alwan, etc?
The reason one getts into InkSave is because it the InkSave products are automating CMYK CMYK conversions. I do not find it strange. Had RGB workflows been adapted by the prepress comunity the InkSave products would have been to some extent redundant. What I find more surprising is that people are ready to accept InkSave work flows but not RGB workflow. It is a shame because the advantage of the RGB workflow is so much more than TIC/TAC control (and with a good separation profile even out of gamut colours can be handled somewhat inteligently)
I just gave the article a quick read. Does anyone else take issue to the place PSD recommendation? I'm a strong believe in only placing layered PSDs when you absolutely have to (i.e. you need the transparent background). I have all of my designers save flattened TIFs of their layered PSDs, and that is what they place in their final page layouts.
I was just a panelist at a file preparation seminar and I stressed to the audience why you shouldn't place layered PSD files just because you can. Perfect example, a recent jacket file I worked on had a layered PSD that was 760mb, compared to the 106mb flattened version. Why bother placing that beast into the file.
One of the top reasons I have for working in CMYK is being able to use the black channel to create masks. Often times I need to merge artwork with new backgrounds etc., and using a dupe of that black channel is always a great starting point for creating a realistic looking edge. (At least for the type of artwork I am working with).